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was built between 1930 and 1947. On both sides of the altar are sculptures of angels that date back to the late 17th century and were sculpted in Subate. They are the only elements of this kind in the Baroque decorative sculpture in churches in Kurzeme. It may be that the figure of the Saviour on the cross with a sleeping lamb at his feet was produced by the same artists. No one knows how the artworks arrived in Subate. The organ with its wooden pipes was manufactured by Juris Bokums. During the season, the interior of the church can be toured, and if you contact the church in advance, you can arrange for organ music performances. |
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Atrodas Ganību ielā 120. Celta (iesvētīta 2001. g.) mūsdienu modernās arhitektūras formās un interesanta ar faktu, ka sākotnēji bijusi Vatikāna paviljons Pasaules izstādē “Expo 2000” Hannoverē. To pārbūvēja un uz Liepāju pārcēla par Vācijas katoļu saziedotajiem līdzekļiem. Ēkā darbojas katoļu draudzes centrs. |
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The first church in Vecpiebalga was built in 1345, and the next one was built between 1839 and 1845 by the Livonian builder Mārcis Sārums. The church was destroyed in 1944 and restored between 1995 and 1997 (architect Ausma Skumiņa). The altar painting is titled “Christ Walking in the Land of Piebalga.” Outside the church is a rock to commemorate those who suffered from political repressions in Latvia. |
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The Dviete Catholic Church is in the centre of the small village of Dviete. The white church can be seen from a distance. The first wooden church was built here in 1775 by the owner of the local estate, Count J.K. Wischling. Later the church was dismantled and brought the Zarinki cemetery. The Neo-Baroque Catholic church that is seen today has two towers, and its construction was financed by Count Kazimir Plater-Sieberg. The church was destroyed during World War I, and until it was rebuilt and consecrated, the granary of the Dviete Estate magazine, with its ridged roof, was used as a prayer house. It is on the side of the Dviete-Bebrene road and has recently been restored. In 1940, a stone fence was installed around the church with a tiled roof, and a building for the congregation was built in the 1970s. The church features a particularly ornate sacral Baroque interior, which is seen as the most ornate interior of its type in the former Daugavpils District. |
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Holy Trinity Parish Catholic Church of Strūžāni was renovated
and sanctified in 1958. The church has no towers because they were not allowed in the time of the Soviet
Union.
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Atrodas t.s. Baznīcu kalnā - A. Pumpura ielā 11 a. Varenais neobaroka stilā celtais dievnamu tapis 1905. g. Pastāv viedoklis, ka par šīs baznīcas prototipu izmantotas Aglonas vai Krāslavas bazilikas, kā arī Rietumeiropas baznīcu paraugi. Tās interjeru rotā divstāvīgs altāris, kurā novietota spāņu gleznotāja B. E. Muriljo pazīstamās gleznas “Svētā Dievmāte” kopija. 1909. g. baznīcā uzstādīja poļu meistara Ādolfa Hofmana būvētās ērģeles.No būvniecības laika saglabājusies arī pārējā baznīcas iekārta. |
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Preiļos, blakus viesu namam „Pie Pliča” (Raiņa bulvāris) ikviens var apskatīt un ieiet Latgales un Latvijas mazākajā dievnamā – kapelā. |
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Malta (Borovaja, Borovska) Old-Believers Prayer House. The construction
of the church was started in 1931 by A. Gruncevičs. The Church is an architectural
monument of local importance.
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Ein im gotischen Stil gebautes Gotteshaus wurde 1888 eingeweiht. Daneben befindet sich ein etnografischer Friedhoff aus dem 19 – 20 Jh. mit ungewöhnlichen Grabkreuzen aus Holz. In den Formen der Kreuze sind die Motiven von Pflanzen, Vögeln, Tieren zu sehen. |
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Eine der schönsten Landkirchen Estlands, wurde ursprünglich als Zufluchtsort verwendet. Wurde im Stil der Frühgotik gebaut. Die Wandmalerei aus dem Jahr 1330. |
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Paramonovas Old-Believer Preaching House was built in
1882.
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The first building of the church was built in 1641. The fourth building of the church was only built in 1856 – during the times of Pastor Johann Wilhelm Knierim. Its altar painting – The Crucified Christ (Golgotha) was painted in 1856 by Jozeps Millers, who was influenced by the altar piece in Munich Louis Church created by his teacher Peter Cornelius. An epitaph of Baroness Auguste Amalija von Pistohlkros, the sister of the owner of Bīriņi Manor and the patroness of the church, was immured in the memorial wall. Construction of the tower was completed on 11 June 1856, as evidenced by a memorial plaque on the wall of the church with an inscription “Erbaut von August Pistolkors 1856”. The church was consecrated in 1864. And a year later an organ by Martin Company with 8 registers, which was extended to 14 registers in 1903, was installed in the church. Unfortunately, the organ was destroyed in WW2. Saulkrasti (Pēterupe) Evangelical Lutheran Church survived both World War 2 and the Soviet period. The Soviet era was one of the most difficult times for the church, because many churches in the area were destroyed, pastors were discharged and the congregation fell apart. The Pēterupe congregation remained. As an architectural monument the church was lucky enough to undergo roof repairs of the tower even during Soviet times. Funds were granted by the Chairlady of the Executive Committee Ņina Manzūrova. |
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Находится в 2,5 км к северу от Круте. Небольшое здание из деревянных бревен с дощатой обшивкой первоначально было построено в 1642 году, а кирпичная башня восстановлена после Второй мировой войны. Интерьер церкви – алтарь (вторая половина XVII века), алтарная икона неизвестного автора «Иисус у креста» (XVII в.) и богато орнаментированная кафедра (1642 г.) являются важными памятниками времен маньеризма. |
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This is one of the most outstanding Catholic churches in Latvia. The current building was built in 1761 in the Polish Baroque style. The interior from the 18th century is original and very ornate. Each year there are spiritual music events and Polish cultural festivals here. The guide will give you a tour of the church and of other tourism destinations along the frontier line of the EU (please be sure to bring along your passport!). |
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Atrodas Celtnieku un Z. Mauriņas ielu krustojumā. Dievnams uzcelts 2000. gadā modernās arhitektūras formās (arhitekti Aija un Andris Kokini), kas simbolizē Noasa šķirstu vai zviedru laivas, kas atnesušas kristīgo ticību. |
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Pareizticība Traķu apkārtnē „ienāca” jau Lietuvas dižkunigaiša Ģedimina (Gediminas) valdīšanas laikā (1316. – 1341.). Līdz 18. gs. beigām no astoņām pareizticīgo baznīcām Traķos nebija saglabājusies neviena, tādēļ pareizticīgo draudze 1863. g. uzcēla jaunu baznīcu, kas saglabājusies līdz mūsdienām un apskatāma Vitauta ielā (Vytauto gatve) 32. |
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Rimši Old-Believers Prayer House. The church was built in the
beginning of the 20th century.
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This is the centre for Catholicism in Latvia and a destination for pilgrims from all around the world. Its origins date back to 1699, when the Dominican Order established a cloister. One year later, it built the first wooden church. The brick Church of St Dominic and the buildings of the cloister were erected between 1768 and 1800. The Baroque church is distinguished by two towers that are 60 metres high. The pulpit, organ prospectus, organ, prayer bench and pews come from the 18th century, while the side altars date back to the early 19th century. The central altar includes the painting “The Miraculous Mother of God of Aglona,” which is thought to have healing properties. For that reason, it is unveiled only during important events. In advance of a visit to Latvia by Pope John Paul II in 1993, the complex underwent major rebuilding and restoration. On August 15 each year, hundreds and thousands of pilgrims arrive in Aglona to celebrate the assumption of the Virgin Mary. The holy stream of Aglona is 100 metres to the East of the basilica. |
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Iespaidīga koka celtne un izcils koka arhitektūras piemērs, kuru pamanīs katrs Plateļu apmeklētājs! Plateļu baznīca ir viens no Lietuvas vecākajiem koka dievnamiem. Pašreiz redzamais ir būvēts 1744. g., bet zvanu tornis – 1899. g. Dienvidos no baznīcas plešas Plateļu muižas parks. |
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Ein hervorragendes Sakralensemble im Barockstil (17 – 18 Jh.), eine Kirche und ein tätiger Nonnenkloster. |