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This is one of the most outstanding Catholic churches in Latvia. The current building was built in 1761 in the Polish Baroque style. The interior from the 18th century is original and very ornate. Each year there are spiritual music events and Polish cultural festivals here. The guide will give you a tour of the church and of other tourism destinations along the frontier line of the EU (please be sure to bring along your passport!). |
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Found in the northern part of Cesvaine, the church was built of fieldstones in the Neo-Gothic style in 1879 by the architect Paul Max Bertschy. The church was restored in 1929 and again in the early 1990s. The altar painting, “Christ on the Cross” (1923) is by Jēkabs Bīne.
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Located in the southern part of Feimaņi, the church was built between 1756 and 1760. The local estate was owned by the Korff dynasty, and the denomination of the congregation changed when the family converted from Lutheranism to Catholicism. This church has the largest number of artistic monuments among all churches in the Rēzekne Administrative District, including a confessional bench, pews, an organ prospectus, silver cups and three altar wood engravings from the 18th century. Above the gate is a bell tower with four bells. During Holy Week, clappers are used instead of bells. They are about 2 m long and 1 m high and are reminiscent of ancient laundry rolls. Feimaņi is also home to one of three flag workshops in Latvia, and it has state-of-the-art equipment. The flag of Latgale was “born” here in ideological and physical terms. |
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Atrodas Ganību ielā 120. Celta (iesvētīta 2001. g.) mūsdienu modernās arhitektūras formās un interesanta ar faktu, ka sākotnēji bijusi Vatikāna paviljons Pasaules izstādē “Expo 2000” Hannoverē. To pārbūvēja un uz Liepāju pārcēla par Vācijas katoļu saziedotajiem līdzekļiem. Ēkā darbojas katoļu draudzes centrs. |
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This small wooden church with fragments of a metal gate is on the side of the road in the village of Ruduški. It is not open to visitors on a daily basis. |
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Tagadējais dievnams (iepriekšējie celti 1652. un 1776. g.) būvēts laikā no 1839. - 1842. g. Vidzemē pazīstamā lībiešu būvmeistara Mārča Sāruma (1799. –1859.) vadībā. Par prototipu tam izmantoja Pievolgas vācu koloniju baznīcu veidolu. Dievnama altārī atrodas Pītera Paula Rubensa gleznas “Kristus pie krusta” kopija (oriģināls – Minhenē), ko 1887. g. baznīcai uzdāvināja Nēķena muižas īpašniece. Baznīcas remonta laikā (1928. g.) atklāja piemiņas plāksnes 1. pasaules karā un Latvijas Brīvības cīņās kritušajiem. Blakus baznīcas atrodas viduslaiku kapsēta. Celtnes autors un būvdarbu virsuzraugs - H. fon Hagemeistars esot teicis, ka šis dievnams esot „vienīgā baznīca visā Vidzemē un varbūt arī pasaulē, kas uzcelta bez apreibināšanās”. |
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The Krustpils Lutheran Church is found at Rīgas Street 211A in Krustpils, on the right bank of the Little Daugava. The stone church which is there was built between 1818 and 1820 and consecrated in 1824. Two older churches stood on the site before then. The church was seriously damaged during World War I, and it was restored in 1924. There are several notable cultural monuments in the church – the altar painting, “Christ Prays in the Garden of Gethsemane”, the organ (with pipes that were manufactured in Germany), etc. The church is seen as one of the best examples of Empire-style architecture in Latvia, and in 1999 it was granted the European blue flag as an element of cultural heritage. There are legends about underground passages to Daugavsala, which is to the West of the church. The church is closed to visitors most days and can only be viewed from the outside. Nearby the church are two monuments – one commemorating the politically repressed, and the other memorialising national partisans.
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Lipuški Old-Believers Prayer House was built in 1893 at lake
Rāzna in village Lipuški. In former days, it was one of the largest Old-
Believers parishes in the Baltic countries; you will notice Old-Believers cemeteries that are placed in the
neighbourhood.
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The church was built in the Neoromantic style between 1936 and 1939 on the basis of a design by the architect Pavlov. It was consecrated before the completion of construction, this happening in 1937. The church honours the Anguished Mother of God, and the central altar is dedicated to her. Icons in the building date back to the early 20th century, and a statue of the Fatima Mother of God is in the yard near the entrance. |
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Meklējama Nīcgalē, starp Rīgas – Daugavpils šoseju (A 6) un Daugavas krastu. Baznīcu cēla (neogotikas stils) pēc muižnieka Henriha Plātera - Zīberga iniciatīvas 1862. - 1863. g., veltot to Jaunavas Marijas dzimšanai. Kā jau daudzas citas baznīcas, arī šī ēka un tās interjera priekšmeti cieta 1. pasaules kara laika notikumos. To atjaunoja 1922. gadā. Baznīcas iekārta ir saglabājusies no 19. gs. 60. gadiem, bet, centrālā altāra augšdaļu pārbūvēja 1957. gadā. Dažus gadus vēlāk - 1961. g. uzstādīja ērģeles. |
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Nelielā izmēra ēka (balts ķieģeļu mūris, ar dēļiem apšūts zems tornis) atrodas Liepājas – Klaipēdas šosejas (A 11) malā. 20. gadsimta sākumā tā kalpojusi kā lūgšanu nams, taču tā paša gadsimta vidū pārbūvēta, uzceļot torni. |
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This is the centre for Catholicism in Latvia and a destination for pilgrims from all around the world. Its origins date back to 1699, when the Dominican Order established a cloister. One year later, it built the first wooden church. The brick Church of St Dominic and the buildings of the cloister were erected between 1768 and 1800. The Baroque church is distinguished by two towers that are 60 metres high. The pulpit, organ prospectus, organ, prayer bench and pews come from the 18th century, while the side altars date back to the early 19th century. The central altar includes the painting “The Miraculous Mother of God of Aglona,” which is thought to have healing properties. For that reason, it is unveiled only during important events. In advance of a visit to Latvia by Pope John Paul II in 1993, the complex underwent major rebuilding and restoration. On August 15 each year, hundreds and thousands of pilgrims arrive in Aglona to celebrate the assumption of the Virgin Mary. The holy stream of Aglona is 100 metres to the East of the basilica. |
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Celta ~ 1560. g. vietā, kur agrāk atradusies Sakas osta. Dievnamā apskatāms > 170 gadus vecs kuģa modelis. Vietējie ticēja, kas tas aizsargā jūrniekus un bojāejas. Šāda tradīcija Latvijā ir novērojama tikai dažās baznīcās. Baznīcu var apskatīt arī no iekšpuses. |
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Atrodas Līvānu ziemeļdaļā, Baznīcas ielā 17. Dievnams uzbūvēts 1861. g. un paplašināts 1880. gadā. Pēc nopostīšanas 1. pasaules kara laikā to atjaunoja 1918. gadā. No interjera ievērības cienīgas ir ērģeles (uzstādītas 1936. g.), glezna „Svētais Jānis Kristītājs” (mākslinieks Šēnbergs) un 14 Krusta ceļa gleznas, kas ir vācu mākslinieka Fogela gleznu kopijas (19. gs. pirmā puse). Kopš 20. gadsimta sākuma bez izmaiņām ir saglabājies tikai Ostrabramas Dievmātes altāris ēkas labajā pusē. 2007. gadā nokrāsoja dievnama fasādi. Šo darbu laikā, no ēkas sienas izņēma nesprāgušu artilērijas lādiņu, kas bija iestrēdzis 1. pasaules kara laikā. |
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A wooden church was built here in 1766, and the new brick church was built on the foundations of the old church and consecrated in 1868. The tall steeple of the church helped ship captains orient themselves during the daytime. An altar painting by Gunta Liepiņa-Grīva, "Christ and Peter on the Sea," was consecrated in 1993 to replace the former painting, which was lost. The blue-white-green Livonian flag was consecrated at the Mazirbe manse (now a recollection centre) on November 18, 1923. Near the manse are several rocks which stand witness to the Black Plague in 1710 and 1711. The text in Latin said that Livonians on the coastline were conquered by Swedish King Karl IX and the bubonic plague. The texts on the rocks have eroded away, but records of them were made. The Mazirbe cemetery has a monument to Old Taisel, a monument to the parents of captain A. Bertholds, and the legendary grave of a werewolf. |
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Rečina Old-Believers Prayer House was built in 1912. It has a rectangular shape with a single-hall,
rubble-wall foundation and a small tower on the top of the altar.
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Die kleinste und eine der reichtesten Kirchen Nordeuropas im Sinne der Zierelemente. Seit dem Bau im 14. Jh ist äußerlich kaum verändert worden. |
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Located on the right bank of the Daugava, the church can be seen from various parts of Piedruja. The first wooden church was built at the instruction of Prince Jan Stapekha in 1632, and it burned down in 1759. The Baroque stone church that is there now was built in 1759 with its two towers, and it may have been designed by an Italian architect. The towers stand 27 m high, and under the church is a cellar. The towers have three bells – the largest one dates back to 1711, the middle-sized one was manufactured in 1896, and the smallest dates back to 1619. The largest bell weighs nearly 0.4 tonnes. Inside the church are many important cultural and historical monuments, including a central wooden altar with a painting of the assumption of Mary, three 18th century altars, a pulpit from the early 19th century, St Anton’s altar, a fresco of the Holy Trinity, church dishes from the 17th century, etc. The building is surrounded by a large garden with a stone fence and stone repositories at the corners of the garden. Two priests, Kazimirs Konvalevskis and Broņeslavs Stefanovičs are buried here. Stefanovičs played a major role in the restoration of the church after World War I. The Piedruja congregation first emerged during the first half of the 17th century. |
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The building was built in 1800 and rebuilt in 1825. Zosna Catholic Church is one of the smallest wooden churches in Latgale and the oldest church of the Rāzna National Park. The building is famous for the altarpiece "Madonna with a child". Noteworthy is also the gate, fence (built from red bricks and boulders) and the bell tower. Not far from the church there lives a manager with whom you can agree on seeing the church from the inside. |
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Целостное здание церкви строилось в 1780 – 1781 гг. во времена барона Х.Ф. Бера, а перестраивалось в 1876 и 1888 гг. Церковь известна своим алтарем и кафедрой, выполненными в стиле рококо, и построенным в первой половине XVIII века органом. Церковь можно осмотреть изнутри. |