Country Holidays
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Mūsdienās redzamais iespaidīgais dievnams tapis ilgākā laika posmā. Jau 1870. g. latviešu draudze sāka vākt ziedojumus neogotiskās baznīcas celtniecībai, ko pabeidza 1904. gadā (V. Neimaņa projekts). Ēkas iekšpusi rotā dekoratīvi zvaigžņu velvju griesti, bet tās altārdaļā izvietotasmākslinieka J. Šķērstena veidotās vitrāžas (1940. g.) un 17. gs. kristāmtrauks. Baznīcu ieskauj plašs dārzs.
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The church is on the highest part of the banks of the Marku river, and it is behind the Piedruja border control point.  A paved street leads to the church, and it is thought that it was built in the early 20th century by local farmers, who were required to bring stones for the street when they attended worship services.  The church has six cupolas and is seen as one of the most beautiful ones in the Krāslava Administrative District.  The building was erected between 1883 and 1885 to replace an old 17th century wooden church.  It corresponds to the architectural form of the Old Russian town of Vladimir and the Byzantine style.  It is said that at one time the church had as many as 1,000 members.
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Dievnams celts (1851. g.) un vēlāk (1876. g.) paplašināts. Tas tika sagrauts 2. Pasaules kara laikā un pēcāk atjaunots. Līdz Latvijas neatkarības atgūšanai to izmantoja par skolas sporta zāli. Pēc draudzes darbības atsākšanas (1989. g.) sākās arī baznīcas un ar to saistīto tradīciju atdzimšana. Apskatāma no iekšpuses.
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Atrodas Ganību ielā 120. Celta (iesvētīta 2001. g.) mūsdienu modernās arhitektūras formās un interesanta ar faktu, ka sākotnēji bijusi Vatikāna paviljons Pasaules izstādē “Expo 2000” Hannoverē. To pārbūvēja un uz Liepāju pārcēla par Vācijas katoļu saziedotajiem līdzekļiem. Ēkā darbojas katoļu draudzes centrs.
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0,2 km austrumos no Vidsmuižas atrodas no šķeltajiem laukakmeņiem un sarkanajiem ķieģeļiem celtā (1910. - 1912. g.) Vidsmuižas katoļu baznīca. Tāpat kā Riebiņos esošā, arī šī ir uzskatāma par tipisku 19. – 20. gs. mijas Latgales lauku baznīcas paraugu.
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Šo sakrālo celtni uzskata par vecāko Zemgales baznīcu, kas joprojām pilda savu pamatfunkciju. Tās celtniecību uzsāka 1567. g. un pēc nopostīšanas atjaunoja 1614. g. Pēc poļu - zviedru un Ziemeļu kara to atkārtoti atjaunoja 1815. g. Dievnamu var apskatīt arī no iekšpuses.

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The first church was here in the early 18th century, followed by the second and third one (1847-1848), and then the one that is there now. The church was damaged during World War I and then during the Soviet era, when wool was stored there between 1969 and 1993. In the 1990s, the building was in terrible shape, but it is gradually recovering its appearance. Between 1826 and 1856, the sexton and organist at the church was the Latvian poet and translator Ansis Līventāls (1803-1878). His grave and monument are alongside the church. At the same place are the graves of German and Russian soldiers who died during World War I, as well as the grave monument of the pastor and writer Jacob Florentin Lundberg (1782-1858).
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 The Krustpils Lutheran Church is found at Rīgas Street 211A in Krustpils, on the right bank of the Little Daugava. The stone church which is there was built between 1818 and 1820 and consecrated in 1824. Two older churches stood on the site before then. The church was seriously damaged during World War I, and it was restored in 1924. There are several notable cultural monuments in the church – the altar painting, “Christ Prays in the Garden of Gethsemane”, the organ (with pipes that were manufactured in Germany), etc. The church is seen as one of the best examples of Empire-style architecture in Latvia, and in 1999 it was granted the European blue flag as an element of cultural heritage. There are legends about underground passages to Daugavsala, which is to the West of the church. The church is closed to visitors most days and can only be viewed from the outside. Nearby the church are two monuments – one commemorating the politically repressed, and the other memorialising national partisans.

 
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Since the 1970s, these ruins have been on a small (100 m long) island that is part of the reservoir of the Rīga hydroelectric power plant.  The island is named after St Meinhard and the ruins are part of the oldest stone building in Latvia.  Work on the church began in 1184, but it was rebuilt and sacked several times, most recently in 1916.  The ruins have been conserved and are protected by a metal cover.  The shores of the island have been strengthened.  The 10 metre metal cross on the island was designed by E. Samovičs, while the stone altar was sculpted by J. Karlobs.
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Eine der schönsten Landkirchen Estlands, wurde ursprünglich als Zufluchtsort verwendet. Wurde im Stil der Frühgotik gebaut. Die Wandmalerei aus dem Jahr 1330.
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Atrodas Grobiņas centrā, Dzērves laukuma malā. Pirmā baznīca Grobiņa bija celta jau ap 1560. g., bet nākamā – 1596. g. celtā iznīcināta 1659. g. zviedru iebrukuma laikā. Pēc Kurzemes un Zemgales hercoga Jēkaba Ketlera iniciatīvas 1664. g. tiek uzcelts jauns dievnams, ko atjauno 1892. gadā. Tas dedzis 2. pasaules kara laikā, bet vēlāk atkal atjaunots. Šobrīd notiek altāra restaurācijas darbi.
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Gebaut am Ende des 13. Jh. als eine dreischiffige Basilika im romanischen Stil mit gotischen Elementen. 1853 wurde der 65 m hohe Turm aufgebaut (Aussichtsplatz). In der Kirche befinden sich die Grabsteine der livonischen Bischöfe, Kanzel (1748), Altar aus Eichenholz (1858), Altarbild (1862), Buntglasfenster und eine der besten Orgeln Lettlands (1907).
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This is a simple one-story building with a cross on its roof.  The Pitrags congregation was established in 1890, but the church was built in 1902.  It was restored after a World War I fire in 1925 and 1926, and restored again during the period of Latvia's restored period of independence.
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The first church in Vecpiebalga was built in 1345, and the next one was built between 1839 and 1845 by the Livonian builder Mārcis Sārums.  The church was destroyed in 1944 and restored between 1995 and 1997 (architect Ausma Skumiņa).  The altar painting is titled “Christ Walking in the Land of Piebalga.” Outside the church is a rock to commemorate those who suffered from political repressions in Latvia.
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Puša Manor - Chapel was built in the end of the 18th century; it is located in the Pušas Manor park that was built in the middle of the 19th century. Both are permanent local architectural monuments.
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Notra’s Old-Believers Prayer House. The construction works lasted from 1928 till 1931. The church is situated on the site of the previous church that was originally built in 1853.
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When you drive down the Nereta-Ilūkste road, the church, which was built in 1805 and restored in 1888, can be seen from a distance. The altar, pulpit and organ prospectus are all original. German soldiers who fell during World War I are buried outside of the church. Two plaques on the western wall of the building honour residents of the Laši Parish who died during the First World War, as well as those local residents who suffered Soviet repressions.
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Iespaidīgais un monumentālais dievnams uzcelts 1816. gadā. No baznīcas nozīmīgākajām interjera detaļām ir saglabājušās ērģeles, altārglezna, lustra un kroņlukturis. Jāpiebilst, ka baznīca savā pastāvēšanas laikā nav pārtraukusi savu darbību.
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The church was built during the rule of Baron Otto Hermann von Fittinghof and built between 1781 and 1788 by the architect Christoph Haberland.  Built in the style of Classicism, the church has elements of the Baroque style and a set of colourful rocks in a mosaic on the façade.  The organ was built in 1855 by August Martin, and the bell was evacuated to Russia during World War I.  The congregation replaced it with a much older bell (1530).  The altar painting, “Baptism of Christ” was pained by an unknown artist and was restored in 2000.  During the mid-19th century, there were many Estonians in the congregation, so worship services were held in Estonian, too.  The church was restored in 1934, and now it dominates the city with its 55.5 m high tower.
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Found in the northern part of Cesvaine, the church was built of fieldstones in the Neo-Gothic style in 1879 by the architect Paul Max Bertschy.  The church was restored in 1929 and again in the early 1990s.  The altar painting, “Christ on the Cross” (1923) is by Jēkabs Bīne.