Vecauces ev. lut. baznīca ir valsts nozīmes arhitektūras piemineklis. Baznīca pirmo reizi uzcelta kā koka būve 1667. gadā, bet pēc zibens spēriena 1729. gadā tā nodega. Mūra baznīca celta 1744. gadā, savukārt 1866.gadā Mēdemu valdīšanas laikā baznīcu paplašināja līdz 500 sēdvietām, izgatavoja jaunu altāri, kanceli un uzstādīja Liepājas ērģeļmeistara Kārļa Hermaņa būvētas ērģeles. meklētājiem piedāvā doties interesantā, izklaidējošā un informatīvā ekskursijā pa baznīcu, apskatot ekspozīciju "Auce pirmās Latvijas brīvvalsts laikā" un baznīcas bibliotēku (Baznīcas grāmatas (pirmās Latvijas brīvvalsts laiks – 1918.-40.g., vācu laiks, padomju laiks un šodiena)). Baznīcā izveidotajā Mākslas telpā apskatei tiek piedāvātas vairākas unikālas ekspozīcijas: skolotājas Jadvigas Kupčes grāmatu un personīgo lietu ekspozīcija, kantātes “Dievs Tava zeme deg” vārdu autora Andreja Eglīša ekspozīcija, izcilā flamenko ģitārista Andreja Kārkliņa un režisora Kārļa Pamšes ekspozīcijas.

The St George Lutheran Church of Subate is on the north-eastern shore of Lesser Lake Subate. The church was built in the Byzantium style in 1685 and 1868 and was commissioned by the owner of the Prode Estate, H.F. Osten-Sacken. This is the only church in Latvia which is reminiscent of the typical appearance of Protestant churches in the late 17^th century. The small towers at the corners of the building are of interest. Inside you will find a richly ornamented ensemble of sculptures and wood carvings, including a 17^th-century altar, pulpit and pews, as well as artworks from the 17^th and 18^th century and a bell that was cast in 1682. Some of the interior design was the work of students at the Stelmuže wood carving school.

The church is on the highest part of the banks of the Marku river, and it is behind the Piedruja border control point.  A paved street leads to the church, and it is thought that it was built in the early 20th century by local farmers, who were required to bring stones for the street when they attended worship services.  The church has six cupolas and is seen as one of the most beautiful ones in the Krāslava Administrative District.  The building was erected between 1883 and 1885 to replace an old 17th century wooden church.  It corresponds to the architectural form of the Old Russian town of Vladimir and the Byzantine style.  It is said that at one time the church had as many as 1,000 members.

The church has a non-traditional design and layout: the altar is in the middle but the pulpit- above the altar. The church has also an original bell tower with a bell casted in 1634. The present wooden interior was created by the students of Riga Crafts High School. Next to the church there are ruins of the old church and the rectory where at the end of the 18th century as a tutor worked Garlieb Merkel who in Liepupe observed events used in his famous book "Latvians".

Vienīgā baznīca nacionālā parka teritorijā. Tā atrodas Kirblas (Kirbla) ciemā – uz neliela pacēluma, kas Baltijas ledus ezera laikā bijusi sala, kuru no visām pusēm ietvēris ūdens. Kirblas baznīcas pirmsākumi ir meklējami 16. gs. un par tās celtniecību saglabājušies dažādi interesanti nostāsti. Tas ir viens no mazākajiem Igaunijas dievnamiem (29 x 11 m).

The church was opened in 1651 after half a century of sometimes interrupted construction.  It was fully rebuilt and took on its current appearance in 1876.  The church contains one of the most important church objects in Latvia – the oldest pulpit in the country (1590).  It was designed in the style of Mannerism.  The church also has a bell from a wrecked chapel of the local knighthood.  The bell was manufacture in 1450 and was installed at the church in the 19th century.  It is the oldest church bell in Latvia.  The German painter F. Wolff painted the altar painting, “Christ on the Cross,” and it, along with the altar, have recently been restored.

Tagadējais dievnams (iepriekšējie celti 1652. un 1776. g.) būvēts laikā no 1839. - 1842. g. Vidzemē pazīstamā lībiešu būvmeistara Mārča Sāruma (1799. –1859.) vadībā. Par prototipu tam izmantoja Pievolgas vācu koloniju baznīcu veidolu. Dievnama altārī atrodas Pītera Paula Rubensa gleznas “Kristus pie krusta” kopija (oriģināls – Minhenē), ko 1887. g. baznīcai uzdāvināja Nēķena muižas īpašniece. Baznīcas remonta laikā (1928. g.) atklāja piemiņas plāksnes 1. pasaules karā un Latvijas Brīvības cīņās kritušajiem. Blakus baznīcas atrodas viduslaiku kapsēta. Celtnes autors un būvdarbu virsuzraugs - H. fon Hagemeistars esot teicis, ka šis dievnams esot „vienīgā baznīca visā Vidzemē un varbūt arī pasaulē, kas uzcelta bez apreibināšanās”.

Atrodas Līvānu ziemeļdaļā, Baznīcas ielā 17. Dievnams uzbūvēts 1861. g. un paplašināts 1880. gadā. Pēc nopostīšanas 1. pasaules kara laikā to atjaunoja 1918. gadā. No interjera ievērības cienīgas ir ērģeles (uzstādītas 1936. g.), glezna „Svētais Jānis Kristītājs” (mākslinieks Šēnbergs) un 14 Krusta ceļa gleznas, kas ir vācu mākslinieka Fogela gleznu kopijas (19. gs. pirmā puse). Kopš 20. gadsimta sākuma bez izmaiņām ir saglabājies tikai Ostrabramas Dievmātes altāris ēkas labajā pusē. 2007. gadā nokrāsoja dievnama fasādi. Šo darbu laikā, no ēkas sienas izņēma nesprāgušu artilērijas lādiņu, kas bija iestrēdzis 1. pasaules kara laikā.

There are records to show that there has been a church at this location since the 17th century, and the current one was built between 1792 and 1794 by the chief construction specialist of the city of Rīga, Christopher Haberland.  He designed the cupola-shaped building, with the cupola ensuring good acoustics inside the building.  The altar is opposite the entrance door.  Between the columns of the building is an altar painting showing Christ and St Peter on a storm-ravaged sea.  Other important objects include chalices from the 18th or 19th century, candelabras, etc.  The building was restored in 2014.  To the South from it is the Katlakalns cemetery, which is the final resting place of the distinguished Baltic German writer Garlieb Merkel (1769-1850).  He was of great importance in ensuring the end of indentured servitude in Latvia.

The first wooden Catholic church in Dagda was built in 1705, while the church that is seen today was built in the Baroque style during the latter half of the 18^th century, the work financed by a local nobleman.  Important interior elements include the altar, the pulpit, the organ, a monument to the Hilsen dynasty, etc.  To the North of the church is historical Dagda itself, with typical red brick buildings from the early 20^th century that are known as the former homes of Jewish merchants.